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Upon This Rock (Larry Norman album)
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Upon This Rock (Larry Norman album) : ウィキペディア英語版
Upon This Rock (Larry Norman album)

''Upon This Rock'' is the debut solo album by pioneering Christian rock musician Larry Norman, released in 1969. It is considered to be "the first full-blown Christian rock album" and was produced by Hal Yoergler.
==Background==
In 1969 Norman returned to Capitol Records, now headed by Mike Curb, to honor his original 1966 contract with the understanding that he would have complete artistic control. 〔"Larry Norman Down Under But Not Out", ''On Being'' (1985/1986):7.〕〔''Encyclopedia of Evangelicalism'', 411.〕 Believing that "Kids just don't want to listen to God's empty songs anymore",〔Michael McFadden, ''The Jesus Revolution'' (Harper & Row, 1972):126.〕 in December 1969 Capitol released Norman's first solo rock album,〔"Linear Notes", Bootleg, http://www.meetjesushere.com/images/btlginsa.jpg〕 ''Upon This Rock'', "the first major label record to marry rock music with the gospel". 〔CBNmusic, "Larry Norman", http://www.cbn.com/cbnmusic/artists/norman_larry.asp〕 "the Sergeant Pepper of Christianity",〔 widely regarded as "the album that first recruited rock in the service of salvation",〔Stephen H. Webb, ''Dylan Redeemed: From Highway 61 to Saved'' (Continuum International, 2006):35. According to Dylan, he believed his 1968 album, ''John Wesley Harding'', was "the first biblical rock album", with more than 60 biblical allusions. See Webb:35.〕 later cited as being "one of the roots of the current Contemporary Christian Music";〔Mike Callahan, David Edwards, and Patrice Eyries, "Solid Rock Album Discography" (January 10, 2009), http://www.bsnpubs.com/word/solidrock/solidrock.html〕 and now considered to be the first full-blown Christian rock album".〔. John J. Thompson, ''Raised by Wolves: The Story of Christian Rock & Roll'' (2000):49.〕
''Upon This Rock'', whose music was "a blend of folk, psychedelic, and rock influences",〔 combined "street language and gritty imagery".〔CBNmusic, "Larry Norman", http://www.cbn.com/cbnmusic/artists/norman_larry.aspx〕 In August 1970 he described the album as "simply ... twelve love songs to Jesus",〔"Somebody Lied", ''Hollywood Free Paper'' 2:15 (August 4, 1970), http://www.hollywoodfreepaper.org/archive.php?id=22 See page 3 for an interview with Norman about ''Upon This Rock''.〕 whereas Don Cusic believes that "these songs tended to be darker than the early Christian cheerleader type of songs coming from other early Jesus music artists".〔Don Cusic, ed., ''Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship'' (ABC-CLIO, 2009):312〕 In this album, "Norman brought a mixture of reverence and rebellion ... spreading word of an impending Judgment Day in the midst of war and moral decadence ... () speak to the psychedelic generation without sacrificing their spiritual gravity".〔"iTunes Review", http://itunes.apple.com/us/album/upon-this-rock/id278869770〕 Believing that "Christian music could be powerful in its message yet relevant to the times",〔 Norman explained his thinking behind the album in 1969:
"Upon This Rock" was written to stand outside the Christian culture. I tried to create songs for which there was no anticipated acceptance. I wanted to display the flexibility of the gospel and that there was no limitation to how God could be presented. I used abrasive humor and sarcasm as much as possible, which was also not a traditional aspect of Christian music. I chose negative imagery to attempt to deliver a positive message, like "I Don't Believe in Miracles" is actually about faith. "I Wish We'd All Been Ready" talked about something I had never heard preached from a pulpit as I grew up. "The Last Supper" and "Ha Ha World" used very surreal imagery which drug users could assimilate. My songs weren't written for Christians. No, it was not a Christian album for those believers who wanted everything spelled out. It was more like a street fight. I was saying to Christians, "I'm going to present the gospel, and I'm not going to say it like you want. This album is not for you."

Speaking to the magazine ''Contemporary Musicians'', Norman later expressed his intentions and feelings about the record:
I wanted to push aside the traditional gospel quartet music, break down the church doors and let the hippies and the prostitutes and other unwashed rabble into the sanctuary, ... I wanted to talk about feeding the poor, going into the world.... I wanted the church to get active and go out and do what Jesus told us to do. I felt that while the hymns had great theology soaked into their lyrics, that most of the modern music was anemic and needed a transfusion".〔Alfonso, Barry ("Larry Norman Biography." ) Musicianguide.com. Retrieved December 27, 2007.〕


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